Showing posts with label War Machine. Show all posts
Showing posts with label War Machine. Show all posts

Tuesday, June 21, 2022

Fanholes Comic Books Mutha@#$%! Do You Read 'Em?!? # 92: War Machine Weapon of S.H.I.E.L.D. and Dark Reign!

Mike and Derek revisit a series of comics featuring James 'Rhodey' Rhodes aka War Machine!

Comics Discussed:

Iron Man Director of SHIELD #33-35 (aka War Machine Weapon of Shield)
Dark Reign: New Nation one-shot.
War Machine (2009) #1-12
 

Download This Episode!

 

Download this episode!

Tuesday, August 11, 2020

Fanholes Comic Books Mutha@#$%! Do You Read 'Em?!? # 64: Stories From The Spinner Rack!



The Fanholes discuss a random assortment of Comic Books obtained from The Spinner Rack!

Comics Discussed:
Tony - G.I. Joe Yearbook #4
Derek - Captain Atom #25
Justin - Iron Man #268
Mike - War Machine #8

Monday, October 5, 2015

Mike's Top Ten Favorite Iron Man Armors!


Marvel's new Invincible Iron Man series by Brian Michael Bendis and David Marquez will launch this week as the centerpiece of the company's latest soft reboot. Tony Stark's newest suit, as designed by David Marquez, will possess the ability to convert into different specialty armors and alter its shape and color scheme accordingly.

Hmm...does that sound familiar to anyone?

(Wailing metal guitar riff)

In whatever case, I thought I'd take this opportunity to list my top ten favorite Iron Man armors as of this date and time! My only criteria for this list was that Tony Stark had to have a hand in developing it to count, but otherwise anything else goes!

 -

10. Ultimate Iron Man
First Appearance: Ultimates Vol. 1 # 1 (2002)


I'm not the hugest fan of the Ultimates, but I must admit I found Mark Millar's schlocky antics entertaining on the first go-around. Nowadays, I look back at his first Ultimates run and kinda cringe at the topical references and what my fellow Fanhole Derek would label as Millar's “shock jock” storytelling. However, one thing that has remained impressive to this day is Bryan Hitch's art.

I've always liked Hitch's primary Ultimate Iron Man armor design. I guess the best way to describe it is “familiar but different”. All the basic elements of an Iron Man armor are there, but Hitch reinterprets them in new and interesting ways. I especially like the more rounded helmet and the blocky, less human foot-shaped boots. I was disappointed that the Marvel Legends figure just gave him more standard boots, but at least the Marvel Select figure reproduces them faithfully.

Thankfully, Tony being covered in weird goo after removing the armor was NOT reproduced for those toys.

Can you believe that Tony drinks twenty-two martinis and designs seventy-eight new armors while inside this thing on a Tuesday afternoon?  Oh my friggin' god!  Incest!!!

9. “Neo-Classic” Iron Man 
First Appearance: Iron Man Vol. 1 # 231 (1988) 



Tony upgraded to this suit at the end of the classic Armor Wars arc. Its color layout and basic design cues clearly evoke the original red-and-yellow armor, but it certainly looks much more intimidating and modernized.

It looked especially great being drawn by John Romita Jr, who rendered it as being much bulkier than previous artists. I don't think Armor Wars II is that great of a story, but the art in it certainly left an impression on me, and that's assuredly because of Romita Jr.'s rendition of the Neo-Classic armor. My fellow Fanhole Tony Jackson is fond of referring to this suit as the “Boots Armor”, and you can definitely see why in Romita Jr.'s interpretation of it.

I'll stomp you, caption!!!

8. “Overload” Iron Man
First Appearance: What If? Vol. 2 # 64 (1994)


I like to call this the “Liege Maximo” armor, having been designed by legendary Transformers artist Geoff Senior. It does not resemble your traditional Iron Man armor AT ALL...but it worked for the story it appeared in. It is so huge that Tony can actually use it as a HOUSE if he wants, which is basically what happens at the end of the single issue it appeared in. The Overload armor positions itself in orbit and becomes a satellite, with Tony watching over the Earth forever as its guardian.

The scene that made me think this armor was super-badass was when Tony grabbed Magneto's force-bubble between his mitts...and popped it like a zit.

Maybe this armor is made of wood.


7. Marvel Now! Iron Man 
First Appearance: Iron Man Vol. 5 # 1 (2012)



Whenever a superhero gets a new, black costume, it almost inevitably looks sleek and cool, and Iron Man is no exception. The “Now!” armor takes many elements from the movie version of Iron Man's armor, to the point where the Marvel Legends toy of it is just a redeco/retool of the Iron Man 2 Mark VI release. However, different artists tended to emphasize or de-emphasize the movie aesthetic based on their own personal tastes.

Much like Spider-Man's symbiotic costume, this armor also takes on a liquid form and can cover Tony's body at his mental command. It was a slight improvement over the Extremis armor, except Tony himself was no longer superhuman.

He still carries it in a briefcase, so is that really an upgrade?
  
6. War Machine (Original)
First Appearance: Iron Man Vol. 1 # 282 (1992)


This is what I like to term the “proto-War Machine” armor. It is distinguishable from the version James Rhodes first wore by its lack of chest “uni-beam” projector. It looks a bit boxier and more unrefined than Rhodey's armor, which I actually find more appealing. Its weaponry just seems more...apparent in this version than later iterations. It also has a light saber built into the gauntlet, which is frickin' cool.

I always thought it was funny that Tony specifically donned this armor to fight and then team-up with the Masters of Silence...a bunch of stealthy ninja types.

Ninja say- make bad joke and carry a bunch of firepower.

5. Hulkbuster Iron Man
First Appearance: Iron Man Vol. 1 # 305 (1994)


I ain't afraid of no Hulk.

Let's face it; the concept of Tony Stark getting into his armor, then getting into a BIGGER suit of armor will always be pretty badass. While he initially created this armor as a deterrent against the Hulk in the comics, the Hulkbuster can also be seen as simply one of the biggest guns in Tony's arsenal. In the 90s cartoon's adaptation of Armor Wars, this is the suit that Tony brings out in the end to take on Justin Hammer's anti-Iron Man drone, Firepower. It was quite the unexpected and badass reveal and a memorable scene from that series.

I'm off to take down big business with my BIGGER business. Rhodey, Julia...tape my shows.

There's obviously been a number of different versions of the Hulkbuster, and I wanted to narrow it down to one choice for this entry. I ended up deciding the movie incarnation of the Hulkbuster was the best representation for one main reason; it actually busted the Hulk! Usually, the Hulkbuster armor is portrayed as a delaying tactic at best, and the Hulk will eventually prevail over it. But in Age of Ultron, Tony apparently manages to finally score a KO with it! Or at least wins via cutaway...I think he'll take that.

EPIC SCIENCE BRO FIST!!!

I also dig the parts-swapping and replacement from its delivery system, and of course, its amusing code-name “Veronica”. Cuz ya see...Bruce Banner was in love with a girl named Betty and...well, you get it. Or wait...does that even make sense? It's not like Veronica was bad for Archie or...aaagh, don't think about it.

4. War Machine (Initiative) 
First Appearance: Avengers: The Initiative # 1 (2007)



 The “Initiative” War Machine armor was developed by Tony Stark for his good friend James Rhodes, and actually uses Stane technology instead of Stark. This little bit of foresight on Tony's behalf allowed James Rhodes to continue to operate even if all Starktech was disabled, which of course it WAS during Secret Invasion.

I always thought this get-up was a nice companion to Tony's Extremis armor, both visually and conceptually. You can obviously see the design elements in common with the Extremis armor, especially in the helmet design. However, whereas Tony's Extremis upgrade immeasurably improves his vitality and makes him more than human, this War Machine armor is basically a life support system for the man inside it. James Rhodes sustained near-fatal injuries and lost his arms and legs in a terrorist attack. His good pal Tony Stark saved his life and made him into a cyborg. Throughout Avengers: The Initiative and his solo series by Greg Pak, he was basically a pseudo-Deathlok. 

Hey, maybe I can get on Agents of SHIE- AHAHAHAHA, no.

Rhodey would eventually get better, being plugged into a cloned body of himself in perfect health by the end of that story, but I did find that setup ironic. At a time when Tony Stark had become more metahuman than ever before, Jim Rhodes was also distanced from his own humanity, albeit in a lot harsher and visceral manner. Rather appropriate for the two characters; Tony does things the easy way and Jim does things the hard way.

But I love this armor design, specifically how it was originally drawn by Stefano Caselli. I love the holo displays and targeting scopes that pop up with the weapons are live. And of course, when shit gets real, Rhodey can truly live up to his name.

I...I can see you're upset, Mr. Howard, but we still need to cut your pay for Iron Man 2.

3. Extremis Iron Man
First Appearance: Iron Man Vol. 4 # 5 (2006)


With its sleek, elegant design and updating of the classic Iron Man theme, you can see why it lasted awhile and enjoys a place in many cross-media portrayals. This was also the armor that most of the inspiration for the movie version was drawn.

As mentioned in the last entry, the man inside was changed as well, as Tony Stark had himself injected with the Extremis bio-enhancement. This gave him a healing factor, complete telekinetic control of his armor, and the ability to remotely access virtually any computer system.

SPACE TONY IZ WATCHING U SHOWER.

It was such a massive upgrade to Iron Man's power set, and yet it seemingly hamstrung writers most of the time into coming up with ways to disable or screw with his Extremis abilities. Several of the following stories, like “Execute Program”, the return of the Mandarin, and Secret Invasion all had Tony's new powers go haywire, be suppressed or even controlled. Eventually, the Extremis was purged from his own system, although Tony would deal with Extremis-enhanced enemies several more times.

Thankfully, he has a taser now.

 So all in all, his Extremis powers were probably more trouble than they were worth. Still, it was a badass armor design, a faithful updating of the usual Iron Man theme, and one can see why it is ingrained in many people's minds as their mental image of the character.


2. “Renaissance” Iron Man 
First Appearance: Iron Man Vol. 3 # 1 (1998)



Tony traded in Rob Liefeld and smokestacks for this little number. At first, I didn't have any strong feelings about this design, but it certainly grew on me as I read more and more stories featuring it. I started to appreciate things like the return of the “pointy” mask, and the Tron-like detailing around the collar and arms.

I know my fellow Fanhole Derek doesn't much care for the story, but the Renaissance armor also served as an effective “villain” of sorts in Joe Quesada and Sean Chen's “Man in the Iron Mask” storyline. While the story gave the Y2K bug as the laughable reason the AI went rogue, it would eventually be retconned as Ultron having infected it with a version of its intelligence.


I had strings, but now I'm FREE-KING SCARY.

When portrayed like this, the design takes on quite the menacing air, and the story certainly left an impression on me when Tony had to break out his trusty old Modular armor to fight it.

Oh god, help me, Tron Bonne!!!

Eventually this armor became a shell that stored an AI essence of Tony's deceased mentor, Ho Yinsen. Yinsen's consciousness had been plugged into it by a cult that worshiped him, and aggghhh, I don't wanna get into it. Ho Yinsen's comic book history is pretty nightmarish and up there with Cable's in terms of convoluted, contradictory continuity. Try saying that three times fast!!!

But speaking of the Modular armor... 

1. Modular Iron Man
First Appearance: Iron Man Vol.1 # 300 (1994)


My favorite run of Iron Man comics features this armor, and it probably is the most recognized and iconic of the armors Tony used in the 90s. It showed up most prominently in the Capcom fighting games and appeared (after a fashion) in the 90s cartoon.

Like many, I was a bigger fan of the more stylized second season version of this design. I like to refer to it as the “Red Sky” cartoon Iron Man, after the similar slimming down and simplifying done to Batman's character design in the fourth season of Batman the Animated series. The loss of the dorky “mouth” slot certainly was a massive improvement and some might liken it to the elimination of the yellow oval under Batman's chest symbol. Just a simpler and more visually-effective look.

I like Robert Downey Jr.'s Tony Stark, as most people do, but second season Robert Hays is probably my favorite portrayal of the character. He was doing constant snark and sarcasm as Tony Stark LONG before RDJ. This, combined with the sleek look of this version of the Modular armor, left me with a lot of fondness for the second season of the 90s cartoon.

He lost a mouth, but gained a mullet.

The Modular armor does have the unfortunate “honor” of featuring in Force Works, the mention of which probably sends shudders down the spine of many long-time comic fans. However, I fondly recall many Len Kaminski stories featuring this suit in the main Iron Man title and especially enjoyed him taking a lot of shots at the “popular kids” of the day while wearing this armor.



Take that, Venom!


Take that, Wolverine!



Take that, Night Thrasher and Thundersr- hmmm...I guess they can't afford to be taken down anymore pegs...
-

So there we have it! My top ten favorite Iron Man armors! There are others I like, but these immediately came to mind. Comments? Questions?

- Mike

Saturday, May 4, 2013

Fanholes Side Story 18: Don't Taze Me, To!

Hiya. I like Iron Man and I read his comics. Therefore! I'm gonna review the first arc of Kieron Gillen's Marvel NOW! Iron Man series, “Believe”, drawn by Greg Land.

I say “review”, but what I'm actually gonna do is just go through it, issue-by-issue, and jot some bullet points down. I'll frame each issue with a brief summary and have some final thoughts at the end. No fuss, no muss! Maybe.

Let's go!

-

Issue # 1: “Demons and Genies”

Summary: Tony gets a call from a dead friend- Extremis is on the move, Extremis is loose! Cue Iron Man Obsessive Quest To Recover Stolen Tech #6001!!!



*So first things first, let's talk about Iron Man's new "Marvel NOW!" armor, which debuted here or hereabouts. Doesn't seem to have an official name, per se, but it is easily distinguishable from Iron Man's other main armors by its unique color scheme of black and gold. I think black almost always looks good on a superhero costume/get-up, whether it be Spider-Man or Batman or Iron Man, so this is a pretty striking model.

At first glance, I was kinda down on it, because it looked to me like someone just came up with a lazy spray-paint of Tony's Bleeding Edge armor. Upon closer inspection though, it is an all-new design, albeit one that does incorporate elements from his Bleeding Edge, Extremis, and even movie armors. At the end of the day, it gets my approval.

*While we're on the appearances of things, I'll take a moment to address Greg Land's art as a whole for this arc. It's serviceable and he does manage some dynamic images, but there's still the apparently-unavoidable “porn-face” expressions to get by when dealing with him. And he's only seemingly able to draw about one kind of female face- all women between the ages of 15 and 40 are supermodels.

On that note, I was disappointed with Land's interpretation of Pepper Potts-



Admittedly, ever since the first movie came out in 2008, many artists have tried to draw her more like Gwyneth Paltrow, but this isn't even that. This is just some random redheaded woman who could easily be Jean Grey or Mary Jane Watson or whomhaveyou.

Now when I think of Pepper Potts, I usually think of freckles-



What's a little odd/ironic is Land's design of Alex Draguno, a character who appears next issue. She has freckles! I probably would have identified HER as Pepper Potts if I had seen that headshot without the context!



*I find it a little off-putting that Tony makes a joke to Pepper about his one-night-stand-to-be possibly being Spymaster in disguise. Spymaster went on a rampage through Tony's new company, Stark Resilient, in Matt Fraction's Iron Man run, stabbing one of Tony's employees almost to death and threatening Bethany Cabe and Ms. Arbogast. This Spymaster then committed “suicide-by-cop” after being apprehended. Taking “comic book time” into account, this probably happened only a few months ago. Too soon, Tony.

*The catalyst for this story kicking off is the murder of Maya Hansen, who developed Extremis. While I can't say I ever warmed to her as a character that much, I also feel she probably deserved better than to be offed so cavalierly. She was a major supporting character in the Knaufs' Iron Man run before being ditched when Matt Fraction took over. Plus, given how important Extremis was to Tony for a long time, all the problems and enemies he'd encountered because of it, and how obsessed Maya was with developing it, you'd think he'd have kept better tabs on her. Instead, she was apparently kidnapped, forced to develop more Extremis kits for mostly-bad people, and then murdered without Tony ever suspecting until it was too late. At least when the Mandarin kidnapped her the last time, he had the good sense to fake her death first so Tony wouldn't even consider looking.

*Heh, the fact that Tony sneaks into an A.I.M. auction for their appropriated Extremis kits and manages to avoid being identified by simply shaving his mustache off is pretty amusing. As is Tony's mention that he has “a biochemist friend who swears by a solution that can regrow it in a few hours”.

*Tony takes on three A.I.M. flunkies enhanced by Extremis. Okay, I'm willing to take at face-value that ever since Warren Ellis' Extremis arc and all subsequent battles with Extremis enhanciles, Tony's come up with much more efficient ways of fighting them. As well as the fact that having been enhanced by Extremis once himself, Tony's applied the technology and lessons learned to his current armor, thus making it more than a match for these guys. But man...it took Tony almost that entire initial Warren Ellis arc to track down and kill Mallen, the original Extremis enhancile. Here, he takes down all three Extremis guys down at ONCE with...a taser.



You can easily follow the reasoning of this, but honestly...I dunno, to me it kinda feels like a dramatic disconnect in hindsight, I guess.

Issue # 2: “A Gentleman's Wager”

Summary: They're Knights of the Round Table! They steal Extremis and fight Iron Man whene'er they're able!



*We're introduced to a new organization called “The Circle” here, which has set up shop in Symkaria. They're a group of armored mercenaries who have code names based on King Arthur and his knights. This issue is narrated by “Lancelot”, who is in fact the previously-mentioned Alex Draguno. The rest of the people involved with The Circle come off as pretentious pricks, but Alex is someone I wouldn't mind reading more of. She's got the “rival ace” thing going on that I'm usually a fan of in most fictional settings, where she could be Tony's enemy or his ally, depending on the situation.

*Tony heads to The Circle's main HQ because they acquired one of the Extremis kits that was in the wind. “Arthur”, head of The Circle, wants to test their new Extremis-enhanced Knights against Iron Man and proposes a tourney as a way to do so. “Merlin”, the designer of their suits, was humiliated by Tony Stark years ago and wants some payback. And Lancelot just wants to fight Iron Man. All Tony wants is to destroy what remains of the Extremis they acquired, which they place in the arena as a gesture of good faith, under the protection of a force field.

Once he beats two of the Knights one-on-one and fights with Lancelot to a standstill, Tony simply destroys the remaining Extremis tech by using a UV laser that can pass through force fields. I think it's always funny and satisfying when the hero owns some pretentious jerkasses by not playing by their rules.



Issue # 3: “It Makes Us Stronger”

Summary: Tony fights three classic villains. Wait...two. Wait...okay, maybe one. Also, he eats some grilled cheese.



*That's one of the least-convincing sandwiches I've ever seen drawn.



*Some cocaine kingpin who bought the Extremis kit for his dying daughter pits Living Laser, Firebrand, and Vibro against Iron Man.



I like the Living Laser, but I feel like he's one of those villains whose power level fluctuates absurdly between appearances. Sometimes he's powerful enough to give Iron Man a very bad day on his own, and sometimes he's just some chump. When he's a chump, he's usually part of a larger group of villains, like in this issue or when he was part of the Hood's gang (or as my buddy Derek calls them, “The Mega Hip-Hop Masters of Evil”). Here, he's chump enough to be taken down by a single repulsor blast from Iron Man, who notes that the Living Laser is “no Titanium Man”. Ah well. I guess he'll never be as cool again as he was under Romita Jr.'s pencils in “Armor Wars II”. His design here is pretty ugly and generic- it's a carry-over from Fraction and Larocca's run.

Firebrand is a new female version that debuted in Fraction and Larocca's run. I didn't actually read that bit. All I remember is that one of the old Firebrands, the dumpy-wearing-a-metal-baby-harness lookin' one from Busiek's run, showed up in Rick Remender's Secret Avengers run recently. This is really kind of an epidemic with Iron Man villains sometimes. Someone makes a replacement because the old one wasn't memorable enough, or is dead. Then a subsequent someone ignores said-replacement and returns to the original or makes ANOTHER replacement and it eventually gets pretty muddled. Crimson Dynamo and Titanium Man are pretty heavy sufferers of this trend. Anyway, she gets chumped out even more than Laser did, sooooo...whatever.

And finally, we have Vibro. Not too familiar with him, but he could be the original one. He showed up in Fraction's run too, but the last I personally read of him, he was part of the Hand-resurrected army of dead D-List supervillains that were pitted against SHIELD in Mark Millar's first Wolverine run. I'm not sure if anyone ever bothered to explain when or how he died and when or how he was resurrected. But he gets punked by Iron Man too, who gasses him and Firebrand within seconds of the fight starting.

I can definitely understand why some people might criticize Iron Man's rogues gallery. All too often, many are used as cannon fodder for their employer, whether it is the Mandarin, Justin Hammer, or this random cocaine merchant. And like I mentioned, sometimes you aren't even sure of which incarnation of the villain you are dealing with. There are multiple unrelated-to-each other Firebrands, Whiplashes, Titanium Mans, Crimson Dynamos, Spymasters, Blizzards, and Ghosts. I think some of these villains need to be nailed-down and given more of a “venerable” status in Iron Man's rogues gallery. When Spider-Man fights Electro, I just KNOW it's Max Dillon. When Iron Man fights Titanium Man...well, I can't always be sure.

Issue # 4: “Fear of the Void”

Summary: Tony kills a bunch of Lovecraftian Extremis girls. Film at eleven.



*Not much to say about this issue. Tony debuts his new “heavy” armor, which acts as a cross between War Machine and Hulkbuster. It's neat.

*Tony finds another batch of newly-created Extremis enhanciles, this time in the form of a bunch of young women whose minds have been overwritten and who have basically been turned into mindless attack dogs. Tony manages to disable them and executes all but one of them, who didn't attack him.

Now, some might have a problem with Tony mercy-killing the lot of them, but I found it pretty in-step with how Tony's always been portrayed. He has a realistic grasp of things and leaving a dozen Extremis-enhanced berserkers alive is just asking for trouble. He keeps one alive, because she seemed completely non-responsive. However, the ending is somewhat ominous on that front...





Issue # 5: “Men of the World”

Summary: The final stolen Extremis kit is in the hands of a retcon! Is Tony gonna let that stand? HELL NAW BRAH.



*So we're introduced to “Eli” here (no last name given), an old pal of Tony Stark from backindaday, and who is somewhat evocative of Jeff Bridges' portrayal of Obadiah Stane. He stole the last Extremis kit from whomever purchased it, which he believes absolves him of second-hand guilt or responsibility over Maya Hansen's death and allows him to use it as he pleases. Man, if I had a nickel for every time a writer played the “old friend/mentor/business colleague of Tony who is now evil/dubious” card...



*Tony is shown Stark Resilient's newest achievement...an improved version of their last phone. Of course, he has to bring up to Pepper that Stark Resilient was supposed to provide a way to give free energy to the world, but they conveniently haven't figured that out yet. This was one of Fraction's plots, and even back when he introduced it, I knew it was dead weight. Because Marvel exists in the “real” world (hahaha), and a company that comes up with a way to provide free energy to everyone WOULD NEVER EXIST in the real world.

Still, I suppose it was nice to address it, and a “realistic” way of handling it. But it does draw one's attention to the fact that if Tony Stark, Reed Richards, Hank Pym, or any of these guys were really as smart as they've been painted, they should be able to solve most of the real world's problems just so. It's one of the little bits I enjoyed about Superman: Red Son, where Lex Luthor becomes President of the US and within months, fixes all the country's financial problems and quadruples the living standard of every US citizen. I feel like that's how it really should be, if these kinds of comic super-geniuses really were worth their salt. But of course, that wouldn't work well for a serialized, inter-connected comic universe, I guess.

*I was wondering if Tony was going to be shot up with Extremis again by the end of this arc, but it never happens. As far as I know (and I didn't read the last dozen or so issues of Fraction's run), Tony had Extremis purged from his system there. So I guess this is really the end of this little leftover from Warren Ellis' run on Iron Man, which has really lasted longer than I would have expected. Extremis was a nice change for awhile, making Tony Stark a sort of superhuman outside his armor, but I think it's nice to be solidly back to a Tony who is just “a man in a tin can” for the foreseeable future. And although these new batches that Maya was forced to create were all destroyed, there's nothing to stop someone from reverse-engineering Extremis from one of Eli's crew or anyone else who had been treated with it in this arc. So I think Extremis is best locked in the cupboard for awhile now.

*Tony leaves for space at the end of the arc, in his new space armor, preparing for some space adventures. It's funny; he left for space at the end of the Fraction run too, but I guess that was just the little “vacation” that Pepper mentions in the first issue of this arc. This is his space journey for REALZ now. It's a nice change of scenery for Iron Man, and Death's Head pops up, so no complaints here!

-

In the end, I enjoyed reading this arc, despite my niggles. It does a solid job of providing a jumping-on point or “soft-rebooting” Iron Man. The plot...well...the plot is a little overplayed for Iron Man, but at least there's a wrinkle in it, where it isn't really Tony's own tech that he's recovering or destroying this time. Greg Land's art...well...you can either take or leave it. While there were a few moments where I had to double-take to understand what was happening (like when one of the Extremis women kills her creator), it still does its job competently-enough. Personally, I think his style is pretty ugly and his people are kinda fake and plastic-looking...but I dunno, maybe someone else thinks that looks “real-er”.

So if you want a nice hopping-on point for Iron Man, I can give this a thumb-up. And even more well-read Iron Man fans will probably get some enjoyment out of this story. Hopefully, Kieron Gillen has no place to go...but up.



-Mike